The Sternman 16"x20" oil on linen panel
Last month we were on the water with the owners of my painting of the Osprey lobster boat, shown above. As we neared Chebeague Island I saw her on her mooring, so we thought we’d take look at the real thing. She’s a classic.
Our guests were surprised at how long she is, since the painting was done from a photo taken off the stern on the port side. As you watch the video below, you can see how the shape changes as we go around the stern. There are so many views to choose from!
the Osprey last month as we went by on our boat
I love to sit on the dock or on our boat and sketch other boats on their moorings. They turn as the wind and tide fight for dominance, sometimes with almost a 180 degree swing. It’s such a great sketching exercise. And I think it's the secret to painting boats. It's not about what kind of boat you're looking at, though an appreciation for that makes it more fun to be around them. When painting a boat, it's the drawing step that's the most important. And sketching them as they float is key to learning to make a good boat drawing.
The little red sailboat in the drawings above is moored in Boothbay Harbor, and I've spent a lot of time sketching her as she swings on her mooring. Each of these drawings took only a minute or two. And there are many more.
One afternoon, sitting in our cockpit still watching the little red sailboat, I took the best of the above sketches, and from them made a little water color in my sketchbook. I don't remember whether I did the ink or the water color on this piece first, but I like the sketch-like look that the ink gives it.
So you can see the simplification that goes into making the larger oil painting, here's the reference photo I took of the Osprey in 2015. It was taken from our boat using a point and shoot Nikon with a zoom, nothing fancy, but better than a cell phone. Painting boats is one of my favorite things to do. The challenge is in the drawing, but the result is usually worth the effort.