 Lapstrake Dinghy - 5"x7" gouache on paper Every once in a while, you're bound to come across something that fascinates you. For me it was a beautiful lapstrake (or clinker built) dinghy tied to a sailboat that was on the mooring next to us in Bucks Harbor. I love this beautiful and well protected spot on the western end of Eggemoggin Reach in Penobscot Bay, in Maine. I took lots of pictures, because in a situation like this, you never know how long the light will be good. Or when someone will come along and hop into the dinghy and row away. Or the sailboat will simply drop the mooring and head out. I tried to be discrete, and hopefully the owners didn’t see me lusting after their dinghy. But I totally was.
Two drawings with felt tip pens in 4 values When we got home, I made some drawings from the different viewpoints that I found in my photos. These were freehand, first with pencil and then over that with felt tip pens and ink. Such an enjoyable way to spend an evening! I even made a drawing using various cross-hatching techniques on fancy blue paper from Ruscombe Paper Mill. Thanks to Rob Adams both for the cross-hatch lesson and introducing me to this lovely paper.
More drawings, including pen and ink on blue paper ~ 5"x7" Then I began to paint. The gouache painting came first. It was kind of a “let’s try this out, it will be fun” exercise. I decided to paint the sailboat to which the dinghy was tied a nice blue. Yesterday, I found this painting when looking through some canvas panels. I thought I’d lost it in our move, and was very happy to find it again. Gouache is an interesting medium. It feels a lot like oil paint during the painting process, despite being water based. But it does need glass when put into a frame.  Lapstrake Dinghy - 9"x12" oil on linen panel with knife Next was a larger oil, painted with a knife. I used one of my other photos for reference this time, and left out the sailboat altogether. I was eager to try the reflection with a knife. I like the texture of the knife and the ease of changing color. All I have to do is wipe it off, no brushes to wash. I don’t use an easel when painting with a knife, but lay the painting flat in a jig, either on my lap or on a table. This allows me to turn the painting around so the knife can spread in whichever direction I need.  Lapstrake Dinghy - 5"x7" watercolor on paper Next was a watercolor version, where I left out the rudder for a more simplified version. I also changed the color of the sailboat again. The bright yellow added a warmth to the panting that I liked. Watercolor is a great medium for something quick, and for an easy cleanup. I also love the way it looks, and using the white of the paper rather than white paint.  Clinker Built - 6"x8" oil on canvas panel Last fall, I painted Clinker Built, the same view of the dinghy, but in oils with a brush. Once again I used a yellow for the sailboat. I’m not sure that it even matters what the sailboat shape is, or that non-boaters recognize it. But I do think the blocks of yellow really show off the classic lapstrake dinghy.  The Blue Sailboat's Dinghy - 16"x20" oil on linen panel Finally, this spring, I decided to go big, 16"x20", four times the area of the previous version. The dinghy got a blue boat again and her rudder cam back. She continues to fascinate me!
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 Downtown Monhegan, 8"x10" oil on canvas panel I don’t have a good count of the number of islands in Maine you can visit by ferry (no bridge). There are quite a few in Portland Harbor, and many more as you head downeast. Of those, I’ve been to Isleboro, Vinalhaven, North Haven, Swans, Isleford (Little Cranberry), Isle au Haut, and Frenchboro Long Island. Every one was a special treat. One of the most iconic and farthest out, is Monhegan, ten miles off the midcoast Maine shore. It's nicknamed "The Artist's Island", so it's no surprise that I'm a big fan. In the summer, you can visit for a day, or stay a while.  Monhegan Skyline from the Lighthouse "Monhegan" comes from the Algonquian Monchiggon, meaning "out-to-sea island." It was first visited by Europeans in the early 17th century and became a British fishing camp and trading post. The island was caught in the conflict between Britain and France for control of the region, but even during the times when the island was not inhabited, the protected harbor was a stopover for ships. The current lighthouse was built in 1850, after its 25 year old predecessor was damaged by storms. There is a wonderful museum in the Lighthouse Keeper's cottage.  White house, Monhegan - 4"x5" watercolor on paper By 1890 the island was established as an artist's colony, which continues to today. Edward Hopper, Rockwell Kent, and Jamie Wyeth are names you've probably heard. What inspires artists to paint here? The light and the subject matter. Many places that are surrounded by water are wonderful for painters because the light bouncing off the water is everywhere, sparkling and giving life to the shadows. As to subject matter, the island is made up of the village, the harbor, forests, meadows, and the dramatic cliffs on the ocean side facing the Atlantic. There's plenty there to paint, photograph or simply enjoy.
Black Head, Monhegan Eastern Shore - 8"x10" oil on canvas Monhegan is .7 mile wide and 1.7 miles long, and is not developed like the rest of the Maine coast. There are less than 100 year round residents, a working lobster fishing village, and a thriving artist's community. The island has no paved roads and visitors cannot bring cars, but if you are willing to walk, you are in for a treat. Two thirds of the island is protected as a nature preserve by the Monhegan Associates, "an island trust which has accepted the responsibility of holding and maintaining the land in its natural form, for all future generations to enjoy". Seventeen miles of natural trails encircle and crisscross the island, through meadows and forests, onto the headlands, and along the coves and ledges. Birdwatchers, nature lovers, and photographers will all find something to interest them. You'll likely see painters in both the village and on the ocean side cliffs. You can download a trail map of the island, courtesy of the Monhegan Associates, here.
House on Monhegan - 8"x10" oil on canvas My recommendation for a day trip is to take a walk through the village and then visit the lighthouse, where you'll get a fabulous view of the village at your feet and the island of Manana, which makes up the far side of Monhegan's harbor. If you have time, continue past the lighthouse and walk through Cathedral Woods to White Head on the backside. To get a beautiful view of White Head, turn right on the trail and walk to Gull Cove. Alternatively, the walk to Lobster Cove is beautiful, and your rewards is the rocky cove and the remains of the wreck of the D T Sheridan. And FYI, these walks are somewhat rugged.
Red House, Monhegan - 8"x10" oil on canvas panel How can you get there? Monhegan is served by ferries from three Maine harbors, from southwest to northeast, BoothBay Harbor (Balmy Days Cruises), great for a day trip, and for a longer stay, Round Pond (Hardy Boat Cruises), and Port Clyde (Monhegan Boat Line).  Me, enjoying painting on Monhegan Island Where can you stay? The largest hotels/BnBs are the Island Inn, the Monhegan House (my personal favorite), and the Trailing Yew, each offering an experience unique from the others.
I hope I’ve peaked your interest, and you get to visit Monhegan this year. Fall is a great time to visit. |
AuthorBobbi - Painter. Sketcher. Teacher. Boat and Dog Lover. Archives
July 2024
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